Here is another image from “Without Sanctuary” that not only reifies Als claim that the working bodies of murdered men slip into the ‘ethos’ of modern porn but also plays with another contemporary spectre of duplication/replication/twinning. The doubling of objects magnifies the effect of the body but simultaneously relays that bodies are replicable and expendible. Another one grows where the last died out.
Moreover, when we begin to let Als and Cooper hover in a textual proximity, we conjure an ancient embodiment of dennis cooper. A white man who collects lynching photographs with private and hot delight- a white man ejaculating in his pants as the body dangles and the flashes burn white in the charred night. It didn’t start with Cooper – a man who is pure excitement as he sees the body destroyed by rage. I don’t think this is the sort of man who cares for the body chewed up by grain thresher or cut short by train. The desire percolates only because one human was subject/eclipsed by another human.
